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Bracing
- The guitar's internal bracing scheme will make or break a guitar
in terms of sound. Bracing a guitar well involves creating a scheme that
keeps the guitar's top from distorting or cracking yet allows the top to
vibrate freely. Manufacturers take great pride in their bracing schemes.
They should. It's quite a feat in engineering to design effective bracing
when you consider that the strings can exert almost 200 pounds of tension! |
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Spruce -
The most commonly used wood for acoustic tops. Spruce for guitar tops is
graded for flexibility. The more flexible it is, the higher the grade. Generally,
spruce produces a warm sound with good attack. |
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Mahogany
- Often, mahogany produces a sound which is brighter or more trebly than
spruce. It is harder and probably more durable as well. The mid-frequencies
are less pronounced and the attack is a little harder or quicker which also
contributes to mahogany's brighter sound. |
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Cedar - Cedar
is a very soft wood with a grain pattern similar to spruce. Cedar is less
durable but sounds warm with an airy, delicate quality. It's usually not
as loud but is very responsive to the dynamic player. |
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Maple - Maple
is beautiful to look at. It has sound characteristics somewhere between
spruce and mahogany. It's a fairly hard wood so it can be very loud and
bright in sound. Flamed maple like this example is more often used for premium
backs and sides. |
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Koa - Koa
grows only in Hawaii. It's an oily wood and produces a sound that is fairly
dark and bassy. |
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